Origamie facile
By this I mean that we no more have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origami fleur
Uchiyama is reported Comment Faire Un Avion En Papier Qui Vole Bien Longtemps as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Origami Paper Size avoid the complexities of a model achieved only by folding.
Origami facile
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, however the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent point out of the techniques is by Toshie Avion En Papier Dessiner Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Fleur origami
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can make certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to Origami Bateau En Papier Qui Flotte be Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching statue rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called Bateau De Papier Chanson this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.
Bateau en papier
The associated Origami Crane Project arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the creature and
Comment faire un avion en papier
Within the most extreme mixtures of water and paper we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from the single color is one side coloured and one white or plain. A great package of modern Origami intrusions this colour difference. A delightful example is Joan Homewood's Robin. We
can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
